01
A finished campaign film and every cut-down it needs, delivered in the aspect ratios and specs each placement actually requires.
- · 30s / 60s / 90s cuts
- · social vertical edits
- · master + behind-the-scenes
4–8 weeks
Capabilities · 5 lines of work
What the work is for.
Each line below exists to move something for the business paying for it — being found, being believed, being chosen. Brief it once, review it as it is built, and take delivery in the formats each placement needs.
Motion work, from a single campaign film through to long-form and live.
- 03
A finished long-form film — story, interviews, archive and mix — plus the short cut-downs that carry it to an audience.
- · 25–60 min features
- · episodic series
- · archival rebuilds
8–16 weeks - 04
Footage shot anywhere, by anyone, finished to one consistent look and sound and delivered as broadcast- and web-ready masters.
- · conform + grade
- · sound design + mix
- · motion graphics + VFX
1–4 weeks - 05
Your event streamed live and cut as it happens, plus a clean archive and pull-out segments ready to use afterwards.
- · multi-cam capture
- · live mix + cut
- · simulcast + archive
event-day - 06
A documented visual system — type, colour, framing and shooting rules — that your own team and any future photographer can follow without us in the room.
- · style guides
- · visual systems
- · shoot bibles
6–10 weeks
Tell us what you need people to do.
Send the goal through production intake and you will get back a treatment and a production path shaped around it.
Need motion and stills from the same production?
Shooting both together changes what the crew, the schedule and the call sheet have to cover. We work that out with you in the consultation, and scope it as one plan.